Please use this identifier to cite or link to this item:
https://hdl.handle.net/10216/165191Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Silva, Eduardo | |
| dc.creator | Ferro, Lígia | |
| dc.date.accessioned | 2025-12-19T00:10:28Z | - |
| dc.date.available | 2025-12-19T00:10:28Z | - |
| dc.date.issued | 2025 | |
| dc.identifier.other | sigarra:708163 | |
| dc.identifier.uri | https://hdl.handle.net/10216/165191 | - |
| dc.description.abstract | As a touristic space, Cascais is an important site to pinpoint the development of tourism in Portugal-particularly, seaside tourism. In turn, this social phenomenon has deeply shaped the imaginary of this town and its physical and human landscapes. And so, situated touristic performances were analysed considering how tourists are using and consuming sphotography as part of their embodied experiences in Cascais, thus seeking to shed light on the touristification process of this town's shoreline in a broader socio-historical context. | |
| dc.language.iso | eng | |
| dc.relation.ispartof | Crisis, conflict and celebration: ethnographic studies of european cities | |
| dc.rights | openAccess | |
| dc.title | Framing the Riviera: touristic performances and photography in contemporary Cascais, Portugal | |
| dc.type | Capítulo ou Parte de Livro | |
| dc.contributor.uporto | Faculdade de Letras | |
| dc.identifier.doi | 10.1007/978-981-97-9719-6_14 | |
| Appears in Collections: | FLUP - Capítulo ou Parte de Livro | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 708163.pdf | 31.53 MB | Adobe PDF | ![]() View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
