Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/8203
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dc.creatorVouga, Vera, 1954-2008pt_PT
dc.date.accessioned2013-12-10T00:13:31Z-
dc.date.available2013-12-10T00:13:31Z-
dc.date.issued2013-12-10-
dc.identifier.other000189444pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/8203-
dc.description.abstractBased on the hypothesis of Paul Fraisse that artists are limited «by the perspective and motive possibilities of man», the author of this article analyses the basic forms of juvenile oral literature - lullabies, tongue twisters and stereotype formulae, which were collected either directly or indirectly in Portugal - in an attempt to find governing models of the various categories of peninsular versification. This article is therefore not merely a pure analysis of rhythm, but through that tradition which permits one to demonstrate the metamorphosis of contemporary orality, opens up the possibilities of that which can be rhymed.pt_PT
dc.languageporpt_PT
dc.relation.ispartofRevista da Faculdade de Letras : Línguas e Literaturas, II série, vol. 4 (1987), p. 75-92pt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000189444pt_PT
dc.subjectTradição popular - Versospt_PT
dc.subjectLiteratura popular - Tradição oralpt_PT
dc.titleDo verso : aproximações (arte verbal infantil)pt_PT
dc.typeArtigo em Revista Científica Nacionalpt_PT
Appears in Collections:FLUP - Artigo em Revista Científica Nacional

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