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https://hdl.handle.net/10216/8130Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Silva, Celina | pt_PT |
| dc.date.accessioned | 2012-07-06T23:12:29Z | - |
| dc.date.available | 2012-07-06T23:12:29Z | - |
| dc.date.issued | 1993 | pt_PT |
| dc.identifier.other | 000189506 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10216/8130 | - |
| dc.description.abstract | This article examines Orpheu from the perspective of the communicative relationship initiated by three narcissistic personalities: Pessoa, Sá Carneiro and Almada. The theory and practice underlying their work stems from the experimentalizing search, which is guided by the problematic nature of two entities: subject and language. It is from this confrontation that Portuguese Modernism emerges. | pt_PT |
| dc.language | fra | pt_PT |
| dc.publisher | Porto : Universidade do Porto. Faculdade de Letras | pt_PT |
| dc.rights | openAccess | pt_PT |
| dc.source.uri | http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000189506 | pt_PT |
| dc.subject | Literatura portuguesa | pt_PT |
| dc.subject | Modernismo | pt_PT |
| dc.title | Orpheu : le chant envoûtant de trois narcisses : quelques reflexions-divagations axées sur des textes-souvenirs | pt_PT |
| dc.type | Artigo em Revista Científica Nacional | pt_PT |
| Appears in Collections: | FLUP - Artigo em Revista Científica Nacional | |
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