Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/8130
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dc.creatorSilva, Celinapt_PT
dc.date.accessioned2012-07-06T23:12:29Z-
dc.date.available2012-07-06T23:12:29Z-
dc.date.issued1993pt_PT
dc.identifier.other000189506pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/8130-
dc.description.abstractThis article examines Orpheu from the perspective of the communicative relationship initiated by three narcissistic personalities: Pessoa, Sá Carneiro and Almada. The theory and practice underlying their work stems from the experimentalizing search, which is guided by the problematic nature of two entities: subject and language. It is from this confrontation that Portuguese Modernism emerges.pt_PT
dc.languagefrapt_PT
dc.publisherPorto : Universidade do Porto. Faculdade de Letraspt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000189506pt_PT
dc.subjectLiteratura portuguesapt_PT
dc.subjectModernismopt_PT
dc.titleOrpheu : le chant envoûtant de trois narcisses : quelques reflexions-divagations axées sur des textes-souvenirspt_PT
dc.typeArtigo em Revista Científica Nacionalpt_PT
Appears in Collections:FLUP - Artigo em Revista Científica Nacional

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