Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/7828
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dc.creatorMarinho, Maria de Fátimapt_PT
dc.date.accessioned2014-01-29T00:51:32Z-
dc.date.available2014-01-29T00:51:32Z-
dc.date.issued2014-01-29-
dc.identifier.other000189608pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/7828-
dc.description.abstractIn this study, the author attempts to demonstrate the extent to which the neo-classical and Arcadian education of the Marchioness of Alorna conditioned the use she made of nature in her poetical work, despite her effective knowledge of new romantic aesthetics. The study of one of her translations (or imitations), Thomson's Primavera, allows us to see the form in which she always treats the poetical material of the representation of nature. Special mention will be made to Recreacoes Botanicas (1813), in that in this long poem (in the form of six cantos) we note the didactic concerns, the details and the comparisons proclaimed by Buffon, Daubenton and Saint-Lambert.pt_PT
dc.languageporpt_PT
dc.relation.ispartofRevista da Faculdade de Letras : Línguas e Literaturas, II série, vol. 16 (1999), p. 47-58pt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000189608pt_PT
dc.subjectLiteratura portuguesapt_PT
dc.subjectLiteratura portuguesa - Poesia - Estudos críticospt_PT
dc.titleA concepção da natureza na obra poética da Marquesa de Alornapt_PT
dc.typeArtigo em Revista Científica Nacionalpt_PT
Appears in Collections:FLUP - Artigo em Revista Científica Nacional

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