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dc.creatorHomem, Rui Carvalhopt_PT
dc.date.accessioned2014-01-29T00:39:59Z-
dc.date.available2014-01-29T00:39:59Z-
dc.date.issued2005pt_PT
dc.identifier.other000210945pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/57164-
dc.description.abstractIn the course of more than thirty years of prolific writing, Paul Muldoon has earned a reputation for surprising his readers again and again. To a significant extent, this continued ability to "make it new" is closely linked to Muldoon's characteristically relational writing. Often described (in tones of eulogy or of deprecation) as the epitome of a postmodernist practice, his work has tested the limits of intertextuality - and his penchant for quotation, pastiche and parody has rather often sought referents in other media, notably in the visual arts. Taking a specific instance of ekphrasis in Muldoon’s poetry for its point of departure and its focus, this article proceeds to address broader themes in his work, as well as to consider his practice against the framework defined by a major alternative for reading the relationship between word and image: as rivalry and struggle, or as peaceful and mutual enablement.pt_PT
dc.languageengpt_PT
dc.publisherBurgos : AEDEI-Spanish Association for Irish Studiespt_PT
dc.relation.ispartofEstudios Irlandeses, Number 0, 2005, p. 58-66pt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000210945pt_PT
dc.subjectLiteratura irlandesa - Poesia - Estudos críticospt_PT
dc.titleCouplings : agon and composition in Paul Muldoon’s ekphrastic poetrypt_PT
dc.typeArtigo em Revista Científica Internacionalpt_PT
Aparece nas coleções:FLUP - Artigo em Revista Científica Internacional

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