Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/56854
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dc.creatorSoares, Maria Leonor Barbosapt_PT
dc.date.accessioned2013-02-09T00:13:05Z-
dc.date.available2013-02-09T00:13:05Z-
dc.date.issued2009pt_PT
dc.identifier.other000209840pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/56854-
dc.description.abstractThe art work of José Rodrigues has been taking shape in various art fields: drawing, sculpture, scenography, medal work, ceramics, engraving, and illustration. The analysis of the mechanisms through which the communicative potential of the different materials is revealed can be found across all the fields he has been practising in. As a demand and as a consequence of the attention given to materials, we acknowledge the artist’s involvement in a process that continually recovers, recreates and projects questions, suggested, in turn, by the ways in which the materiality is experienced; consequently, the material structures that the questions previously bore a reference to are re-elaborated. This essay is a reflection on the above mentioned mechanisms within the fields of drawing and sculpture and, in brief final remarks, of scenography and medal work as well.pt_PT
dc.languageporpt_PT
dc.publisherPorto : Universidade do Porto. Faculdade de Letraspt_PT
dc.relation.ispartofRevista da Faculdade de Letras : ciências e técnicas do património, 1.ª Série, vol. 7-8, 2008-2009, p. 419-436pt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000209840pt_PT
dc.subjectArte - Portugal - séc. 20pt_PT
dc.subjectEscultores portugueses - séc. 20pt_PT
dc.titleInteracções, reflexos e projecções : poéticas dos materiais e das técnicas na obra de José Rodriguespt_PT
dc.typeArtigo em Revista Científica Nacionalpt_PT
Appears in Collections:FLUP - Artigo em Revista Científica Nacional

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