O tempo, a memória e a arte

Abstract

Cultural and scientific legacies in the artist’s creative process. Research, accumulation of knowledge and the role of History of Art. Memory as a repository of aesthetic codes and Time as a gauge of the “value” of production. Sign and signifier of the history of architecture. Limitations to intervention in built Artistic Heritage. Cultural referential and aesthetic level of an object in the context of its coeval production, bearing in mind time and place. Tensions and dialogues between materiality and immateriality of the work of art.