Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/39356
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dc.creatorVilela, Eugéniapt_PT
dc.date.accessioned2011-01-21T00:11:48Z-
dc.date.available2011-01-21T00:11:48Z-
dc.date.issued2009pt_PT
dc.identifier.other000204178pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/39356-
dc.description.abstractIn contemporary time, at the same time that is given an uncontrolled cultural and social multiplication of the figures of the body, its sense escapes indefinitely. The question "what's the body?" constitutes an archaic and urgent question. The fascination and obsession for the representation of the body carried out from art and childhood, make us wonder for the reason of the origin of the preference for the body in representation. In these representations - in painting, photography, sculpture, movies, dance - the way in which a body is perceived it's important, as well as what it is searched when looking at it, because a gaze doesn't settle in a body like over a thing. This gaze looks for an underground pulsation. To explore a living body is to explore signs that constitute an expressive load. The human body is expressive: it shows something that is not seen, and for that reason it's a field of signs. The expression comes, justly, from that you don't see. And, unconsciously, what hides from the gaze is hidden inside the body: under the skin.pt_PT
dc.languagespapt_PT
dc.publisherColombia : Universidad Distrital Francisco José de Caldaspt_PT
dc.relation.ispartofCalle14 : revista de investigación en el campo del arte, vol. 3, n.º 3, julio-diciembre 2009, p. 13-24pt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000204178pt_PT
dc.subjectCorpo humano - Filosofiapt_PT
dc.subjectIdentidade culturalpt_PT
dc.subjectImagempt_PT
dc.titleBajo los vestigios de un cuerpo : cultura, discurso y acontecimiento : artículo de reflexiónpt_PT
dc.typeArtigo em Revista Científica Internacionalpt_PT
Appears in Collections:FLUP - Artigo em Revista Científica Internacional

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