Quando a violência toca: a paisagem sonora na recepção da obra de arte

Abstract

Can the ambient sound of an exhibition space influence the understanding of a work of art? According to Schafer (1977) with the concept of soundscape and supported by Cage (1961) in his concept of active listening, we will engage in an interlocution with the exhibition "Projéteis" (2009) by Marcelo Gandini. Sound becomes an active part of the work, creating an immersive environment that goes beyond visuality, promoting a deeper interaction with the space and intensifying the aesthetic and emotional experience of the work.