Please use this identifier to cite or link to this item:
https://hdl.handle.net/10216/146051Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Joaquim Moreno | |
| dc.date.accessioned | 2022-12-06T00:10:44Z | - |
| dc.date.available | 2022-12-06T00:10:44Z | - |
| dc.date.issued | 2014 | |
| dc.identifier.other | sigarra:594860 | |
| dc.identifier.uri | https://hdl.handle.net/10216/146051 | - |
| dc.language.iso | por | |
| dc.rights | openAccess | |
| dc.subject | Artes, Outras humanidades | |
| dc.subject | Arts, Other humanities | |
| dc.title | SPAIN: ARTISTIC AVANT-GARDE AND SOCIAL REALITY, 1936-76. EXPOSING THE TRANSITION, OR SPAIN AS THE THEME OF VENICE BIENNALE | |
| dc.type | Livro de Atas de Conferência Internacional | |
| dc.contributor.uporto | Faculdade de Arquitectura | |
| dc.subject.fos | Humanidades::Outras humanidades | |
| dc.subject.fos | Humanities::Other humanities | |
| Appears in Collections: | FAUP - Livro de Atas de Conferência Internacional | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 594860.pdf | 119.81 kB | Adobe PDF |  View/Open |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.