Para a transformação de uma casa em Recarei: Apontamentos, Experiência e Reflexões

Abstract

Based on a duality between the permanence of what is written and printed, and the fragility of becoming quickly outdated (-fortunatly!), this dissertation is a gesture of tenderness about an elegy that itself should not have to be. Morphologically, the research begins with a moment of personal reconnaissance of the place where one invests in the differentiation of distinct scales which only the movement through spaces can enable, and thus it creates the journey that allows the real approach to the site and its context. Then, one takes the visible and the invisible of the object in study. With an analysis based on observation and consequent deduction, we approach the roots that contain inheritances and memories; the domesticated landscape taken as a workshop of our expressiveness; the manufacture of personal symbols for our own safety; the processes and instruments that leads us to commitment in architecture; and the sharing of knowledge as a method of regeneration of the suspended in dwelling. A work written with the tools of the word, the drawing and the image, and starting from an house already old and hostage of its own circumstances, that gives mold for an essay on a project process that is its own premeditation.