Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/131701
Full metadata record
DC FieldValueLanguage
dc.creatorFrancisco António Badilla Briones
dc.date.accessioned2025-11-10T23:10:30Z-
dc.date.available2025-11-10T23:10:30Z-
dc.date.issued2020-11-27
dc.date.submitted2021-01-18
dc.identifier.othersigarra:437972
dc.identifier.urihttps://hdl.handle.net/10216/131701-
dc.language.isopor
dc.rightsopenAccess
dc.subjectArtes
dc.subjectArts
dc.titleEl concepto de Sublime, para hablar de religión en la pintura a partir del siglo XXI
dc.typeDissertação
dc.contributor.uportoFaculdade de Belas Artes
dc.identifier.doi10.34626/t8yf-0e34
dc.identifier.tid202580199
dc.subject.fosHumanidades::Artes
dc.subject.fosHumanities::Arts
thesis.degree.disciplineMestrado em Artes Plásticas
thesis.degree.grantorFaculdade de Belas Artes
thesis.degree.grantorUniversidade do Porto
thesis.degree.level1
Appears in Collections:FBAUP - Dissertação

Files in This Item:
File Description SizeFormat 
437972.pdfEl concepto de Sublime, para hablar de religión en la pintura a partir del siglo XXI1.75 MBAdobe PDFThumbnail
View/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.