Paixões sónicas conservadas em disposofonias: o musicar de Gustavo Costa e da Sonoscopia

Abstract

Gustavo Costa closes a modelling trajecto-ry of music in the line of Christopher Small. His taste for music started very early and became a fundamental part of his life. With the musical formation, came his integration in multiple national and in-ternational artistic projects and later ap-peared Sonoscopia, a cultural association that seeks to serve as a stage for experi-mental music in Portugal, making musick-ing a local, translocal and virtual scene. Thus, throughout this article and through the analysis of his life history, we aim to perspective the various forms of music that guide Gustavo Costa's daily life, from the creation of instruments from unconven-tional resources to artistic and cultural programming contributing to the (re)construction of alternative sonic land-scapes in Porto, Portugal and even in the European space.