Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/113267
Full metadata record
DC FieldValueLanguage
dc.creatorGuerra, Paula
dc.date.accessioned2019-02-03T11:05:24Z-
dc.date.available2019-02-03T11:05:24Z-
dc.date.issued2018
dc.identifier.issn1749-9755
dc.identifier.othersigarra:274768
dc.identifier.urihttps://repositorio-aberto.up.pt/handle/10216/113267-
dc.description.abstractThis article focuses on presenting, analysing and understanding the do-it-yourself (DIY) representations of over 200 participants in Portuguese punk music scenes between 1977 and 2014. Through an ethnographic study of punk and the DIY ethos in Portugal, the article depicts its local interpretation and significance, and highlights the singularities of this socio-historical context. Our approach has three focal points: (1) the importance of DIY punk manifestations in the development of youth (sub)cultures, including forms of production and consumption of music, fashion, aesthetics, leisure, the night and cosmopolitanism; (2) the singularity of DIY punk manifestations in Portugal and related resistance practices in their correlation with social, political and economic development in a country outside the Anglo-Saxon context; and (3) the embedding of a DIY ethos and the associated claim to authenticity in the professions and careers in which punks engage today.
dc.language.isoeng
dc.rightsrestrictedAccess
dc.subjectCiências Sociais
dc.subjectSocial sciences
dc.titleRaw power: punk, DIY and underground cultures as spaces of resistance in contemporary Portugal
dc.typeArtigo em Revista Científica Internacional
dc.contributor.uportoFaculdade de Letras
dc.identifier.doi10.1177/1749975518770353
Appears in Collections:FLUP - Artigo em Revista Científica Internacional

Files in This Item:
File Description SizeFormat 
274768.pdf
  Restricted Access
104.12 kBAdobe PDF    Request a copy from the Author(s)


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.