Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/10879
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dc.creatorHomem, Rui Carvalhopt_PT
dc.date.accessioned2012-04-28T00:56:02Z-
dc.date.available2012-04-28T00:56:02Z-
dc.date.issued2001 (número único)pt_PT
dc.identifier.other000190065pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/10879-
dc.description.abstractAs its title suggests, Ben Jonson´s comedy Epicoene, or The Silent Woman lays a crucial emphasis on women´s identity and behaviour. Women in this play are satirized both as voluble embodiments of falsehood or depravity and as the agents of a ´monstrous´ and incompetently pursued will to power. But male characters also conspicuously fail to take on a normative status - as they are found to be either ´unnatural´ hen-pecked husbands, impotent and cowardly fools, or sadistic and amoral (though triumphant) rogues. The design of mi-sogynous satire is thus diluted with a more universal indictment, or else with misanthropy´s benevolent counterpart - a shoulder-shrugging moral relativism which can be recognised as a hallmark of later Jonsonian comedy.pt_PT
dc.languageengpt_PT
dc.publisherPorto : Universidade do Porto. Faculdade de Letraspt_PT
dc.relation.ispartofRevista da Faculdade de Letras : Estudos, 1, 2001 (número único), p.57pt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000190065pt_PT
dc.subjectLiteratura inglesapt_PT
dc.titleMisogyny or Misanthropy : the doubtful case of Ben Jonhson´s Epicoenept_PT
dc.typeArtigo em Revista Científica Nacionalpt_PT
Appears in Collections:FLUP - Artigo em Revista Científica Nacional

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