Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/10873
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dc.creatorCastilho, Maria Teresapt_PT
dc.date.accessioned2014-01-29T00:14:42Z-
dc.date.available2014-01-29T00:14:42Z-
dc.date.issued2014-01-29-
dc.identifier.other000190068pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/10873-
dc.description.abstractThe body of criticism on Welty's fiction has failed to point out that, in The Robber Bridegroom, Welty tells a story that deals with a circumstance that is universal - the way fantasies and dreams shape us all, men and/or women; determine the inner self and the life path of each of us; and build in anxieties and visions of the world(s) whose boundaries lose meaning in everyday life. The cristicism has also neglected two other interrelated facets of the novel. One is that The Robber Bridegroom deals with feminine characters, and the other is that Welty uses a kind of temporal and spatial contraction.pt_PT
dc.languageporpt_PT
dc.relation.ispartofRevista da Faculdade de Letras : Estudos, número único (2001), p. 127-139pt_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000190068pt_PT
dc.subjectLiteratura americana - Estudos críticospt_PT
dc.titleThe Robber Bridegroom : um conto de fadas sulistapt_PT
dc.typeArtigo em Revista Científica Nacionalpt_PT
Appears in Collections:FLUP - Artigo em Revista Científica Nacional

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