Please use this identifier to cite or link to this item:
https://hdl.handle.net/10216/56640Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Maria José Goulão | |
| dc.creator | Francisco Macedo | |
| dc.date.accessioned | 2022-09-11T20:15:24Z | - |
| dc.date.available | 2022-09-11T20:15:24Z | - |
| dc.date.issued | 1999 | |
| dc.identifier.other | sigarra:46623 | |
| dc.identifier.uri | https://hdl.handle.net/10216/56640 | - |
| dc.language.iso | por | |
| dc.relation.ispartof | Memory and Oblivion-Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1-7 September 1996 | |
| dc.rights | openAccess | |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc/4.0/ | |
| dc.subject | História da arte | |
| dc.subject | Art History | |
| dc.title | Les tombeaux de Pedro et Inês - la mémoire sacralisée d'un amour clandestin | |
| dc.type | Artigo em Livro de Atas de Conferência Internacional | |
| dc.contributor.uporto | Faculdade de Belas Artes | |
| Appears in Collections: | FBAUP - Artigo em Livro de Atas de Conferência Internacional | |
This item is licensed under a Creative Commons License
