Please use this identifier to cite or link to this item:
https://hdl.handle.net/10216/8806
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.creator | Azevedo, Carlos | pt_PT |
dc.date.accessioned | 2014-01-30T00:37:47Z | - |
dc.date.available | 2014-01-30T00:37:47Z | - |
dc.date.issued | 2000 | pt_PT |
dc.identifier.other | 000189727 | pt_PT |
dc.identifier.uri | http://hdl.handle.net/10216/8806 | - |
dc.description.abstract | This paper, taking as a starting point the short-story "Big Two-Hearted River", argues for Ernest Hemingway as a writer of striking creativity, an author in whom knowledge, analytical modes of thought and deep concerns about the nature of art and the artist weighed far more importantly than is usually acknowledged. | pt_PT |
dc.language | por | pt_PT |
dc.publisher | Porto : Universidade do Porto. Faculdade de Letras | pt_PT |
dc.rights | openAccess | pt_PT |
dc.source.uri | http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000189727 | pt_PT |
dc.title | A propósito de Big two-hearted River : primitivismo e modernismo de Hemingway | pt_PT |
dc.type | Artigo em Revista Científica Nacional | pt_PT |
Appears in Collections: | FLUP - Artigo em Revista Científica Nacional |
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