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https://hdl.handle.net/10216/8675Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.creator | Carlos, Luís Adriano | pt_PT |
| dc.date.accessioned | 2013-01-08T00:10:52Z | - |
| dc.date.available | 2013-01-08T00:10:52Z | - |
| dc.date.issued | 2013-01-08 | - |
| dc.identifier.other | 000189481 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10216/8675 | - |
| dc.description.abstract | Among the many reading grammars of modern poetry, the grammar of dissolution is highly productive, particularly if we transfer its application from the syntactic-semantic domain to that of morphology. The Quatro Sonetos a Afrodite Anadiomena by Jorge de Sena constitute a perfect synthesis of a whole peripheric, historical and trans-historical trajectory. | pt_PT |
| dc.language | por | pt_PT |
| dc.relation.ispartof | Revista da Faculdade de Letras : Línguas e Literaturas, série II, vol. 6 (1989), p. 249-262 | pt_PT |
| dc.rights | openAccess | pt_PT |
| dc.source.uri | http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000189481 | pt_PT |
| dc.subject | Literatura - Poesia - séc. 20 | pt_PT |
| dc.title | Poesia moderna e dissolução | pt_PT |
| dc.type | Artigo em Revista Científica Nacional | pt_PT |
| Appears in Collections: | FLUP - Artigo em Revista Científica Nacional | |
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