Ingenuidade e invenção. Um modelo e um ritual na prática da arquitectura.

Abstract

This study addresses particularly to build an ingenious history associated with the presence of an architectural idea, articulated with the invention of a disposition of circumstances, a dialectic of events and beings, a nature and a space that result in the uprising and the discovery of a formal and spiritual vocation. Its subject is so the poetical organization of matter and spirit that witch inspired the creation of a place to feel and think. Imagine a certain reality, developing its energy within the body as a particular network or immaterial creative disposition. Take this human essence and combine up material elements -projectual, immaterial entities, knowledge and experience, heritage and context. Join together the incorporated intentions with the active body. As waiting this gesture, word and formality or any form of ceremony, the relationship with the inhabited space is stranger by the presence of a lack indifferent. In certain about the normal course of the seasons and the constant return of the days, any new nature is naive placing appearances in order, its place and its measure, which causes him so irresistible. Shortly after, under the restlessness and exacerbated curiosity fault of the unmet hysteria need for knowledge and communication, it proceeds to a change of perception. Those who have a tense form of contemplation possibly announce the beginning of the ability to distinguish between the legacy mode of seeing and a new recognition of the reality we see. The same, those who consider that the real thing is rather important than something imaginary, transform the design asleep on utopian conscious. Ask yourself the idea of an intermediate place between the house and the temple. The house belongs to a type of sign or practical reality architected by the desire of man, and represents, in an abstract sense, the beginning of what could or would exist. Understanding this 4 as an opportunity to experience the miracle of creation, it will be able, through a constant discovery or reencounter of the house, create a new order that affirms the dream of divinization. Request the concept of a voyage between two commonplaces. The world before being charted is mapped and measured on depth or mental landscape from which it discover essential truths that shape the identity, that define the art of being, the poetical self being. From Immeuble Molitor to Cimitero di San Cataldo, between Le Corbusier, Louis I. Kahn, Alison Smithson and Aldo Rossi, the collage process or assembling from the transformation of words, images, icons, drawings - into impulses, of emotions, results in the definition of a model and the a ritual in architecture practice.