Please use this identifier to cite or link to this item: https://hdl.handle.net/10216/63963
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dc.contributor.advisorAlmada Negreiros, José dept_PT
dc.creatorFerreira, António Quadros-
dc.date.accessioned2012-10-26T16:49:05Z-
dc.date.available2012-10-26T16:49:05Z-
dc.date.issued1990pt_PT
dc.identifier.other000012044pt_PT
dc.identifier.other043.7 11pt_PT
dc.identifier.urihttp://hdl.handle.net/10216/63963-
dc.languagefrapt_PT
dc.publisherNice : Université de Nicept_PT
dc.rightsopenAccesspt_PT
dc.source.urihttp://catalogo.up.pt/F?func=find-b&local_base=UPB01&find_code=SYS&request=000012044pt_PT
dc.subjectArte modernapt_PT
dc.subjectPintura portuguesapt_PT
dc.titleLes relations artistiques entre le Portugal et la France : 1910-1930 : analyse et reception de la modernité chez Almadapt_PT
dc.typeTesept_PT
Appears in Collections:FBAUP - Tese

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