Habitar o Cinema, Filmar a Arquitetura: os modos de ver arquitetura

Abstract

This dissertation focuses on the cinematography of Wes Anderson's cinema and investigates its relationship with architecture. Cinema is an art that, due to its current easy access, opens doors to countless possibilities of use that allow identifying, knowing, imagining and testing architecture. Wes Anderson a filmmaker who is very attached to architecture and its composition themes. This dissertation aims to establish a relationship between architecture and cinema, not only in the measures of understanding the space and its composition themes, but also in the personal experience of the spectator by including it in the film space through the filming techniques. It investigates the idea of representation of architecture and the concept of living in both areas. This dissertation aims to contribute to the information and disciplinary discussion of these topics.