https://hdl.handle.net/10216/1804 Fri, 07 Aug 2026 14:04:15 GMT 2026-08-07T14:04:15Z https://hdl.handle.net/10216/172576 Title: Mancha de texto Editors: Vítor Silva; Sílvia Simões; Natacha Antão Moutinho Sat, 01 Jan 2022 00:00:00 GMT https://hdl.handle.net/10216/172576 2022-01-01T00:00:00Z https://hdl.handle.net/10216/171438 Title: Reliquiae. Significado, materialidade e espacialidade das relíquias Mon, 01 Dec 2025 00:00:00 GMT https://hdl.handle.net/10216/171438 2025-12-01T00:00:00Z https://hdl.handle.net/10216/169463 Title: "História da Arte, Estudos Visuais, História do Design: o Design em Contexto" Mon, 01 Sep 2025 00:00:00 GMT https://hdl.handle.net/10216/169463 2025-09-01T00:00:00Z https://hdl.handle.net/10216/161675 Title: "Morte, memória e escultura funerária (séc. XV): materialidade e performatividade". Fri, 01 Jan 2021 00:00:00 GMT https://hdl.handle.net/10216/161675 2021-01-01T00:00:00Z https://hdl.handle.net/10216/157102 Title: Cartografias de um arquivista: A 'viagem' e o 'documento' como estratégias criativas de construção do 'Lugar' Sat, 30 Sep 2023 00:00:00 GMT https://hdl.handle.net/10216/157102 2023-09-30T00:00:00Z https://hdl.handle.net/10216/150884 Title: Ortotipografia e microtipografia em textos científicos. Mon, 01 Jan 2007 00:00:00 GMT https://hdl.handle.net/10216/150884 2007-01-01T00:00:00Z https://hdl.handle.net/10216/150995 Title: Oficina Álvares Ribeiro: uma dinastia de editores, papeleiros, impressores e livreiros no Porto no século XVIII. Sat, 01 Jan 2000 00:00:00 GMT https://hdl.handle.net/10216/150995 2000-01-01T00:00:00Z https://hdl.handle.net/10216/150965 Title: Jean de Villeneuve: a primeira fábrica de fundição de caracteres em Portugal, Lisboa. Mon, 01 Jan 2001 00:00:00 GMT https://hdl.handle.net/10216/150965 2001-01-01T00:00:00Z https://hdl.handle.net/10216/150919 Title: Manuel R. Pereira da Silva (Póvoa de Varzim, 1930-Lisboa, 2008): o tipógrafo português completo. Thu, 01 Jan 2009 00:00:00 GMT https://hdl.handle.net/10216/150919 2009-01-01T00:00:00Z https://hdl.handle.net/10216/148829 Title: Excess and insufficiency of video. Present issues Sat, 01 Jan 2022 00:00:00 GMT https://hdl.handle.net/10216/148829 2022-01-01T00:00:00Z https://hdl.handle.net/10216/147422 Title: From intimacy to urban landscape: images of the transformations of the Rainha Dona Leonor social housing Abstract: The present communication proposes an imagery study on the transformations of the social housing Rainha Dona Leonor, in Porto, rehabilitated between 2017 and 2019. Through an immersive ethnographic work, it was possible to closely follow the radical changes that took place, from the demolition of the five housing blocks to the construction of a single block. In short, our methodology was guided by the following phases: 1) a series of exploratory visits to analyze the spatial morphology, the living conditions, the forms of occupation of shared spaces and the atmosphere of the neighborhood (receptivity, sense of security, accesses, flow of nonresidents); 2) further research into the history, context, and contemporary setting of the site; and 3) the close observation and follow up of two families from old residents. The idea of using photography as a resource for data collection and representation of the situation was due to its ability to convey the impact of the changes on the landscape, on the lives of the residents, and on their narratives before the demolition of their homes and after moving to their new homes. We registered details inside their old homes (their old lives), before being packed up, or discarded in the move to the new apartments. Furthermore, photography was taken as a tangible reminiscence for these people, remnant of their past life. Fri, 01 Jan 2021 00:00:00 GMT https://hdl.handle.net/10216/147422 2021-01-01T00:00:00Z https://hdl.handle.net/10216/55662 Title: O Desenho na era digital: ruturas e continuidades Tue, 01 Jan 2002 00:00:00 GMT https://hdl.handle.net/10216/55662 2002-01-01T00:00:00Z https://hdl.handle.net/10216/111851 Title: O Uncanny na obra de Michaël Borremans Mon, 01 Jan 2018 00:00:00 GMT https://hdl.handle.net/10216/111851 2018-01-01T00:00:00Z https://hdl.handle.net/10216/64504 Title: Arte e espacialidade internalizada: estratégias endógenas de sobrevivência Sat, 01 Jan 2005 00:00:00 GMT https://hdl.handle.net/10216/64504 2005-01-01T00:00:00Z https://hdl.handle.net/10216/73120 Title: A verdade da mentira: o museu como dispositivo ficcional na obra de Marcel Broodthaers Abstract: The depletion of the logics of rupture and transgression which the artistic avant-garde has confronted, particularly since the early 1960s, led it to a profound questioning of the institutional mechanisms that regulate norms and deviations. This is the case of museological heterotopies that could be interrogated on the basis of their fabulatory and fictional capacities. It was at the heart of this debate that, in 1968, Marcel Broodthaers opened the Section XIXème Siècle of his Musée d?Art Moderne, Departement des Aigles. The complexity of this project, which was to continue in various configurations until 1972, opened up a discussion on the very ontology of art at a time of apparent crisis. In this article we attempt to reflect on the reason for choosing a fictional device for the construction of the heterogeneous succession of objects and events that constituted the Musée d?Art Moderne, Department des Aigles, thus seeking in the very restlessness and unpredictable movement of the fictional narrative answers to help us understand the moves of Marcel Broodthaers. Description: O esvaziamento das lógicas de ruptura e transgressão com que as vanguardas artísticas se tiveram que confrontar, em especial a partir da década de 60 do século XX, obrigou-as ao questionamento profundo dos mecanismos institucionais reguladores da norma e do desvio. É o caso das heterotopias museológicas que puderam ser interrogadas a partir das suas capacidades efabulatória e ficcional. É no centro mesmo deste debate que, em 1968, Marcel Broodthaers abre a Section XIXème Siècle do seu Musée d?Art Moderne, Departement des Aigles. A complexidade deste projecto, que irá durar com diversas configurações até 1972, abre uma discussão sobre a própria ontologia da arte num momento de aparente crise. Neste artigo procurámos reflectir sobre a razão da escolha de um dispositivo ficcional para a construção da sucessão heterogénea de objectos e acontecimentos que constituem esse Musée d?Art Moderne, buscando assim na própria inquietação e no movimento imprevisível da narrativa ficcional as respostas para a compreensão dos lances de Marcel Broodthaers. Wed, 01 Jan 2003 00:00:00 GMT https://hdl.handle.net/10216/73120 2003-01-01T00:00:00Z https://hdl.handle.net/10216/1816 Title: Ourivesaria luso-brasileira no Rio da Prata Mon, 01 Jan 1990 00:00:00 GMT https://hdl.handle.net/10216/1816 1990-01-01T00:00:00Z https://hdl.handle.net/10216/1815 Title: O ensino artístico em Portugal: subsídios para a história da Escola Superior de Belas Artes do Porto Sun, 01 Jan 1989 00:00:00 GMT https://hdl.handle.net/10216/1815 1989-01-01T00:00:00Z https://hdl.handle.net/10216/19061 Title: Desenho e aprendizagem Sun, 01 Jan 2006 00:00:00 GMT https://hdl.handle.net/10216/19061 2006-01-01T00:00:00Z https://hdl.handle.net/10216/74893 Title: A cultura hacker: apontamentos para uma mitologia do especular na rede (2ª parte) Thu, 01 Jan 2004 00:00:00 GMT https://hdl.handle.net/10216/74893 2004-01-01T00:00:00Z https://hdl.handle.net/10216/64702 Title: Accidents happens? Tue, 01 Jan 2008 00:00:00 GMT https://hdl.handle.net/10216/64702 2008-01-01T00:00:00Z