<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Collection:</title>
  <link rel="alternate" href="https://hdl.handle.net/10216/1810" />
  <subtitle />
  <id>https://hdl.handle.net/10216/1810</id>
  <updated>2026-07-18T09:06:25Z</updated>
  <dc:date>2026-07-18T09:06:25Z</dc:date>
  <entry>
    <title>Heranças contemporâneas ressignificadas: estratégias de curadoria situada e mediação artística de fragmentos de passados recentes</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174999" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174999</id>
    <updated>2026-07-15T06:34:51Z</updated>
    <published>2026-06-25T00:00:00Z</published>
    <summary type="text">Title: Heranças contemporâneas ressignificadas: estratégias de curadoria situada e mediação artística de fragmentos de passados recentes</summary>
    <dc:date>2026-06-25T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Educação Artística e Formação Docente de Educação Visual em Moçambique: dilemas entre herança cultural e atualidade</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174561" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174561</id>
    <updated>2026-07-01T06:46:16Z</updated>
    <published>2026-05-18T00:00:00Z</published>
    <summary type="text">Title: Educação Artística e Formação Docente de Educação Visual em Moçambique: dilemas entre herança cultural e atualidade</summary>
    <dc:date>2026-05-18T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A prática artística como lugar diacrónico: Da artificialização da natureza à naturalização do artifício</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174614" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174614</id>
    <updated>2026-07-01T06:47:09Z</updated>
    <published>2026-05-19T00:00:00Z</published>
    <summary type="text">Title: A prática artística como lugar diacrónico: Da artificialização da natureza à naturalização do artifício</summary>
    <dc:date>2026-05-19T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Dispositivos de Opacidade: Ver Sem Capturar - Uma investigação entre pensamento, prática do olhar e criação artística</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174566" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174566</id>
    <updated>2026-07-01T06:46:56Z</updated>
    <published>2026-05-08T00:00:00Z</published>
    <summary type="text">Title: Dispositivos de Opacidade: Ver Sem Capturar - Uma investigação entre pensamento, prática do olhar e criação artística</summary>
    <dc:date>2026-05-08T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>O Encantamento do Ver: Diálogos entre Arte e Contracolonialidade</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174595" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174595</id>
    <updated>2026-07-01T06:46:27Z</updated>
    <published>2026-04-22T00:00:00Z</published>
    <summary type="text">Title: O Encantamento do Ver: Diálogos entre Arte e Contracolonialidade</summary>
    <dc:date>2026-04-22T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"SISTERHOOD - Representation and Representativity of Women and Archetypal Design of Female Characters in Animated Feature Films (2001-2022)</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/173890" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/173890</id>
    <updated>2026-07-01T06:46:24Z</updated>
    <published>2026-03-13T00:00:00Z</published>
    <summary type="text">Title: "SISTERHOOD - Representation and Representativity of Women and Archetypal Design of Female Characters in Animated Feature Films (2001-2022)</summary>
    <dc:date>2026-03-13T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Fotografia e Ensino em Portugal: o caso de Maria Alzira Monteiro da Cunha (1922/2000)</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/173675" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/173675</id>
    <updated>2026-07-01T06:46:02Z</updated>
    <published>2026-02-20T00:00:00Z</published>
    <summary type="text">Title: Fotografia e Ensino em Portugal: o caso de Maria Alzira Monteiro da Cunha (1922/2000)</summary>
    <dc:date>2026-02-20T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Przemieszczenie". Displacement. Paper and enamel within a print-base practice</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/173571" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/173571</id>
    <updated>2026-07-01T06:45:44Z</updated>
    <published>2025-12-19T00:00:00Z</published>
    <summary type="text">Title: "Przemieszczenie". Displacement. Paper and enamel within a print-base practice</summary>
    <dc:date>2025-12-19T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>working title. making theory in art education with opacity, making art education with textual pedagogical gestures</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174606" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174606</id>
    <updated>2026-06-23T06:39:09Z</updated>
    <published>2026-06-08T00:00:00Z</published>
    <summary type="text">Title: working title. making theory in art education with opacity, making art education with textual pedagogical gestures</summary>
    <dc:date>2026-06-08T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>PERFORMAR A RUPTURA: Notas de Confronto à Colonialidade nas Artes Performativas Portuguesas</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/172465" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/172465</id>
    <updated>2026-06-06T06:40:22Z</updated>
    <published>2026-01-26T00:00:00Z</published>
    <summary type="text">Title: PERFORMAR A RUPTURA: Notas de Confronto à Colonialidade nas Artes Performativas Portuguesas</summary>
    <dc:date>2026-01-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Notions of women - femininity in contemporary visual arts</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/168304" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/168304</id>
    <updated>2026-04-08T06:38:30Z</updated>
    <published>2025-04-07T00:00:00Z</published>
    <summary type="text">Title: Notions of women - femininity in contemporary visual arts</summary>
    <dc:date>2025-04-07T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Abordagens da arte contemporânea ao Anacronismo histórico: uma investigação tecnológica sobre calcografia e litografia Portuguesa no Século XIX a partir da Coleção de Cartografia Impressa da Universidade do Porto</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/169744" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/169744</id>
    <updated>2026-03-27T02:34:05Z</updated>
    <published>2025-09-26T00:00:00Z</published>
    <summary type="text">Title: Abordagens da arte contemporânea ao Anacronismo histórico: uma investigação tecnológica sobre calcografia e litografia Portuguesa no Século XIX a partir da Coleção de Cartografia Impressa da Universidade do Porto</summary>
    <dc:date>2025-09-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Ensaio para uma poética dos sentidos - Cartografia da dor nas Artes Visuais</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/172779" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/172779</id>
    <updated>2026-03-20T07:46:35Z</updated>
    <published>2025-12-09T00:00:00Z</published>
    <summary type="text">Title: Ensaio para uma poética dos sentidos - Cartografia da dor nas Artes Visuais</summary>
    <dc:date>2025-12-09T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Scripto-Monumento: A escrita-monumento como encontro e reencenação na prática artística - Análise e experimentação a partir de memoriais</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/172758" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/172758</id>
    <updated>2026-03-20T07:44:28Z</updated>
    <published>2025-11-27T00:00:00Z</published>
    <summary type="text">Title: Scripto-Monumento: A escrita-monumento como encontro e reencenação na prática artística - Análise e experimentação a partir de memoriais</summary>
    <dc:date>2025-11-27T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Framework para a promoção da diversidade cultural e inclusão através dos jogos no contexto universitário</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/171846" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/171846</id>
    <updated>2026-03-20T07:44:19Z</updated>
    <published>2025-11-12T00:00:00Z</published>
    <summary type="text">Title: Framework para a promoção da diversidade cultural e inclusão através dos jogos no contexto universitário</summary>
    <dc:date>2025-11-12T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>O retorno do olhar e um outro Eu: Vivências junto ao Crioulas Vídeo, da Comunidade Quilombola de Conceição das Crioulas</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/171859" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/171859</id>
    <updated>2026-03-20T07:44:11Z</updated>
    <published>2025-09-18T00:00:00Z</published>
    <summary type="text">Title: O retorno do olhar e um outro Eu: Vivências junto ao Crioulas Vídeo, da Comunidade Quilombola de Conceição das Crioulas</summary>
    <dc:date>2025-09-18T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Não Estar - Histórias de Ausências</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/172311" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/172311</id>
    <updated>2026-03-20T07:44:05Z</updated>
    <published>2025-11-26T00:00:00Z</published>
    <summary type="text">Title: Não Estar - Histórias de Ausências</summary>
    <dc:date>2025-11-26T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Memória e cidade: intervenções artísticas efémeras no Recife através do ato de caminhar e da cerâmica</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/171016" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/171016</id>
    <updated>2026-03-20T07:44:51Z</updated>
    <published>2025-11-21T00:00:00Z</published>
    <summary type="text">Title: Memória e cidade: intervenções artísticas efémeras no Recife através do ato de caminhar e da cerâmica</summary>
    <dc:date>2025-11-21T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Aporía de la expresión plástica: Agentes poéticos entre la trascendencia de la inutilidad, en el caos y sus límites X, Y y Z</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/172467" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/172467</id>
    <updated>2026-03-20T07:44:47Z</updated>
    <published>2025-12-15T00:00:00Z</published>
    <summary type="text">Title: Aporía de la expresión plástica: Agentes poéticos entre la trascendencia de la inutilidad, en el caos y sus límites X, Y y Z</summary>
    <dc:date>2025-12-15T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Enquanto falo: uma desconstrução do logos curatorial em perspectiva descolonial</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/169481" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/169481</id>
    <updated>2026-03-20T07:44:38Z</updated>
    <published>2025-09-11T00:00:00Z</published>
    <summary type="text">Title: Enquanto falo: uma desconstrução do logos curatorial em perspectiva descolonial</summary>
    <dc:date>2025-09-11T00:00:00Z</dc:date>
  </entry>
</feed>

