https://hdl.handle.net/10216/1804 2026-08-07T14:04:15Z 2026-08-07T14:04:15Z https://hdl.handle.net/10216/172576 2026-03-16T07:42:07Z 2022-01-01T00:00:00Z

Title: Mancha de texto Editors: Vítor Silva; Sílvia Simões; Natacha Antão Moutinho

2022-01-01T00:00:00Z https://hdl.handle.net/10216/171438 2025-12-27T07:12:45Z 2025-12-01T00:00:00Z

Title: Reliquiae. Significado, materialidade e espacialidade das relíquias

2025-12-01T00:00:00Z https://hdl.handle.net/10216/169463 2025-10-08T06:18:14Z 2025-09-01T00:00:00Z

Title: "História da Arte, Estudos Visuais, História do Design: o Design em Contexto"

2025-09-01T00:00:00Z https://hdl.handle.net/10216/161675 2024-09-28T06:18:20Z 2021-01-01T00:00:00Z

Title: "Morte, memória e escultura funerária (séc. XV): materialidade e performatividade".

2021-01-01T00:00:00Z https://hdl.handle.net/10216/157102 2024-02-03T07:18:05Z 2023-09-30T00:00:00Z

Title: Cartografias de um arquivista: A 'viagem' e o 'documento' como estratégias criativas de construção do 'Lugar'

2023-09-30T00:00:00Z https://hdl.handle.net/10216/150884 2024-02-03T07:17:01Z 2007-01-01T00:00:00Z

Title: Ortotipografia e microtipografia em textos científicos.

2007-01-01T00:00:00Z https://hdl.handle.net/10216/150995 2023-07-18T06:24:55Z 2000-01-01T00:00:00Z

Title: Oficina Álvares Ribeiro: uma dinastia de editores, papeleiros, impressores e livreiros no Porto no século XVIII.

2000-01-01T00:00:00Z https://hdl.handle.net/10216/150965 2023-07-18T06:24:01Z 2001-01-01T00:00:00Z

Title: Jean de Villeneuve: a primeira fábrica de fundição de caracteres em Portugal, Lisboa.

2001-01-01T00:00:00Z https://hdl.handle.net/10216/150919 2023-07-16T06:20:43Z 2009-01-01T00:00:00Z

Title: Manuel R. Pereira da Silva (Póvoa de Varzim, 1930-Lisboa, 2008): o tipógrafo português completo.

2009-01-01T00:00:00Z https://hdl.handle.net/10216/148829 2023-04-12T06:23:38Z 2022-01-01T00:00:00Z

Title: Excess and insufficiency of video. Present issues

2022-01-01T00:00:00Z https://hdl.handle.net/10216/147422 2023-01-19T07:17:37Z 2021-01-01T00:00:00Z

Title: From intimacy to urban landscape: images of the transformations of the Rainha Dona Leonor social housing Abstract: The present communication proposes an imagery study on the transformations of the social housing Rainha Dona Leonor, in Porto, rehabilitated between 2017 and 2019. Through an immersive ethnographic work, it was possible to closely follow the radical changes that took place, from the demolition of the five housing blocks to the construction of a single block. In short, our methodology was guided by the following phases: 1) a series of exploratory visits to analyze the spatial morphology, the living conditions, the forms of occupation of shared spaces and the atmosphere of the neighborhood (receptivity, sense of security, accesses, flow of nonresidents); 2) further research into the history, context, and contemporary setting of the site; and 3) the close observation and follow up of two families from old residents. The idea of using photography as a resource for data collection and representation of the situation was due to its ability to convey the impact of the changes on the landscape, on the lives of the residents, and on their narratives before the demolition of their homes and after moving to their new homes. We registered details inside their old homes (their old lives), before being packed up, or discarded in the move to the new apartments. Furthermore, photography was taken as a tangible reminiscence for these people, remnant of their past life.

2021-01-01T00:00:00Z https://hdl.handle.net/10216/55662 2022-10-19T10:39:09Z 2002-01-01T00:00:00Z

Title: O Desenho na era digital: ruturas e continuidades

2002-01-01T00:00:00Z https://hdl.handle.net/10216/111851 2022-10-16T11:52:05Z 2018-01-01T00:00:00Z

Title: O Uncanny na obra de Michaël Borremans

2018-01-01T00:00:00Z https://hdl.handle.net/10216/64504 2022-10-13T10:18:17Z 2005-01-01T00:00:00Z

Title: Arte e espacialidade internalizada: estratégias endógenas de sobrevivência

2005-01-01T00:00:00Z https://hdl.handle.net/10216/73120 2022-10-12T12:55:07Z 2003-01-01T00:00:00Z

Title: A verdade da mentira: o museu como dispositivo ficcional na obra de Marcel Broodthaers Abstract: The depletion of the logics of rupture and transgression which the artistic avant-garde has confronted, particularly since the early 1960s, led it to a profound questioning of the institutional mechanisms that regulate norms and deviations. This is the case of museological heterotopies that could be interrogated on the basis of their fabulatory and fictional capacities. It was at the heart of this debate that, in 1968, Marcel Broodthaers opened the Section XIXème Siècle of his Musée d?Art Moderne, Departement des Aigles. The complexity of this project, which was to continue in various configurations until 1972, opened up a discussion on the very ontology of art at a time of apparent crisis. In this article we attempt to reflect on the reason for choosing a fictional device for the construction of the heterogeneous succession of objects and events that constituted the Musée d?Art Moderne, Department des Aigles, thus seeking in the very restlessness and unpredictable movement of the fictional narrative answers to help us understand the moves of Marcel Broodthaers. Description: O esvaziamento das lógicas de ruptura e transgressão com que as vanguardas artísticas se tiveram que confrontar, em especial a partir da década de 60 do século XX, obrigou-as ao questionamento profundo dos mecanismos institucionais reguladores da norma e do desvio. É o caso das heterotopias museológicas que puderam ser interrogadas a partir das suas capacidades efabulatória e ficcional. É no centro mesmo deste debate que, em 1968, Marcel Broodthaers abre a Section XIXème Siècle do seu Musée d?Art Moderne, Departement des Aigles. A complexidade deste projecto, que irá durar com diversas configurações até 1972, abre uma discussão sobre a própria ontologia da arte num momento de aparente crise. Neste artigo procurámos reflectir sobre a razão da escolha de um dispositivo ficcional para a construção da sucessão heterogénea de objectos e acontecimentos que constituem esse Musée d?Art Moderne, buscando assim na própria inquietação e no movimento imprevisível da narrativa ficcional as respostas para a compreensão dos lances de Marcel Broodthaers.

2003-01-01T00:00:00Z https://hdl.handle.net/10216/1816 2022-10-12T06:44:10Z 1990-01-01T00:00:00Z

Title: Ourivesaria luso-brasileira no Rio da Prata

1990-01-01T00:00:00Z https://hdl.handle.net/10216/1815 2022-10-16T11:36:37Z 1989-01-01T00:00:00Z

Title: O ensino artístico em Portugal: subsídios para a história da Escola Superior de Belas Artes do Porto

1989-01-01T00:00:00Z https://hdl.handle.net/10216/19061 2022-10-16T19:00:22Z 2006-01-01T00:00:00Z

Title: Desenho e aprendizagem

2006-01-01T00:00:00Z https://hdl.handle.net/10216/74893 2022-10-15T14:22:56Z 2004-01-01T00:00:00Z

Title: A cultura hacker: apontamentos para uma mitologia do especular na rede (2ª parte)

2004-01-01T00:00:00Z https://hdl.handle.net/10216/64702 2022-10-15T13:32:44Z 2008-01-01T00:00:00Z

Title: Accidents happens?

2008-01-01T00:00:00Z