<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Collection:</title>
  <link rel="alternate" href="https://hdl.handle.net/10216/1803" />
  <subtitle />
  <id>https://hdl.handle.net/10216/1803</id>
  <updated>2026-08-07T14:48:46Z</updated>
  <dc:date>2026-08-07T14:48:46Z</dc:date>
  <entry>
    <title>Against the Grain</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174636" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174636</id>
    <updated>2026-06-27T06:45:56Z</updated>
    <published>2025-12-15T00:00:00Z</published>
    <summary type="text">Title: Against the Grain</summary>
    <dc:date>2025-12-15T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Revista Atenea</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174516" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174516</id>
    <updated>2026-06-09T06:53:11Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Revista Atenea</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Territórios Do Corpo Arqueométrico: Poder, Doença e Finitude em Bergman.</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174495" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174495</id>
    <updated>2026-06-04T06:39:34Z</updated>
    <published>2025-12-18T00:00:00Z</published>
    <summary type="text">Title: Territórios Do Corpo Arqueométrico: Poder, Doença e Finitude em Bergman.</summary>
    <dc:date>2025-12-18T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Dialectical Contemporaneity" at the University of Porto - Art Projects Reflecting on Historical Cartography through Personal Narratives</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174481" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174481</id>
    <updated>2026-06-02T06:41:04Z</updated>
    <published>2025-07-01T00:00:00Z</published>
    <summary type="text">Title: "Dialectical Contemporaneity" at the University of Porto - Art Projects Reflecting on Historical Cartography through Personal Narratives</summary>
    <dc:date>2025-07-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Participatory design for dementia: Engaging life stories and culture in cognitive and sensory stimulation artifacts. Design Principles and Practices</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174401" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174401</id>
    <updated>2026-05-22T06:40:26Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: Participatory design for dementia: Engaging life stories and culture in cognitive and sensory stimulation artifacts. Design Principles and Practices</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The potential of cultural elements in the sensory and cognitive stimulation of persons with dementia: An exploratory study through textile artefacts</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174399" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174399</id>
    <updated>2026-05-22T06:40:24Z</updated>
    <published>2025-01-01T00:00:00Z</published>
    <summary type="text">Title: The potential of cultural elements in the sensory and cognitive stimulation of persons with dementia: An exploratory study through textile artefacts</summary>
    <dc:date>2025-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A utilização de Estados Alterados como estratégia de constrangimento na Produção Artística: Uma via para a experiência sublime</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/174336" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/174336</id>
    <updated>2026-05-10T06:32:23Z</updated>
    <published>2025-06-16T00:00:00Z</published>
    <summary type="text">Title: A utilização de Estados Alterados como estratégia de constrangimento na Produção Artística: Uma via para a experiência sublime</summary>
    <dc:date>2025-06-16T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Case Studies of a Trans-Generational Pedagogy of Art and Design</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/141290" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/141290</id>
    <updated>2024-05-21T06:19:39Z</updated>
    <published>2022-03-13T00:00:00Z</published>
    <summary type="text">Title: Case Studies of a Trans-Generational Pedagogy of Art and Design</summary>
    <dc:date>2022-03-13T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Image Control-Delete': La destrucción del archivo como estrategia de una intención poética en el Arte Contemporáneo</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/157108" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/157108</id>
    <updated>2024-02-03T07:18:09Z</updated>
    <published>2023-03-30T00:00:00Z</published>
    <summary type="text">Title: Image Control-Delete': La destrucción del archivo como estrategia de una intención poética en el Arte Contemporáneo</summary>
    <dc:date>2023-03-30T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>A experiência da Natureza e o potencial pedagógico nos 1º e 2ºs ciclos do Ensino Básico</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/157101" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/157101</id>
    <updated>2024-02-03T07:18:02Z</updated>
    <published>2023-11-30T00:00:00Z</published>
    <summary type="text">Title: A experiência da Natureza e o potencial pedagógico nos 1º e 2ºs ciclos do Ensino Básico</summary>
    <dc:date>2023-11-30T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Territórios Impossíveis': experimentos em torno das noções de 'natureza' e 'artifício' nas práticas artísticas contemporâneas.</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/157099" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/157099</id>
    <updated>2024-02-03T07:17:59Z</updated>
    <published>2023-11-22T00:00:00Z</published>
    <summary type="text">Title: Territórios Impossíveis': experimentos em torno das noções de 'natureza' e 'artifício' nas práticas artísticas contemporâneas.</summary>
    <dc:date>2023-11-22T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>INTERMEDIATED-LAND-ART: THE INTERMEDIATE LANDSCAPE EXPERIENCE</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/157096" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/157096</id>
    <updated>2024-02-03T07:17:56Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Title: INTERMEDIATED-LAND-ART: THE INTERMEDIATE LANDSCAPE EXPERIENCE</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>No Walk, No Work: Da prática do caminhar à prática artística.</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/157084" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/157084</id>
    <updated>2024-02-03T07:17:45Z</updated>
    <published>2023-06-01T00:00:00Z</published>
    <summary type="text">Title: No Walk, No Work: Da prática do caminhar à prática artística.</summary>
    <dc:date>2023-06-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>What we talk about when we talk about play in artistic research.</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/157081" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/157081</id>
    <updated>2024-02-03T07:17:44Z</updated>
    <published>2023-11-22T00:00:00Z</published>
    <summary type="text">Title: What we talk about when we talk about play in artistic research.</summary>
    <dc:date>2023-11-22T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Silêncio que invade e liberta: as paisagens-pintura de Francisco Laranjo</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/157063" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/157063</id>
    <updated>2024-02-03T07:17:03Z</updated>
    <published>2023-11-15T00:00:00Z</published>
    <summary type="text">Title: Silêncio que invade e liberta: as paisagens-pintura de Francisco Laranjo</summary>
    <dc:date>2023-11-15T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The potential of maritime museums for heritage education = El potencial de los museos marítimos para la educación patrimonial</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/155799" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/155799</id>
    <updated>2023-12-15T07:15:37Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Title: The potential of maritime museums for heritage education = El potencial de los museos marítimos para la educación patrimonial
Abstract: : Maritime museums provide the right setting for integrating different perspectives and
approaches to study maritime culture and history. This study presents a qualitative analysis of the educational
programs from three museums in the Mediterranean region: the Galata Maritime Museum in Genova (Italy),
the Maritime Museum of Barcelona (Spain), and the Maritime Museum of Haifa (Israel). This research
evaluates the potential of these museums as agents of heritage education while providing their visitors with
opportunities to learn about several aspects of maritime history, culture, and science. The Mediterranean
region, with its seafaring history and cultural and ethnic diversity, serves as an ideal location for such museums
to actively act as learning platforms of the importance of the sea in civilisation whilst addressing the regional
challenges. With this study, we highlight the significance of promoting education via cultural heritage in
museums and the potential of maritime museums to facilitate inclusion and dialogue about cultural diversity.
Description: ES: Los museos marítimos permiten integrar diversas perspectivas y enfoques en el estudio de la
cultura e historia marítimas. Este trabajo presenta un análisis cualitativo de los programas educativos de tres
museos de la región mediterránea: el Museo Marítimo Galata de Génova (Italia), el Museo Marítimo de
Barcelona (España) y el Museo Marítimo de Haifa (Israel). Esta investigación evalúa su potencial como agentes
para la educación patrimonial y para el aprendizaje sobre historia, cultura y ciencia marítimas. La región
mediterránea, con su historia marinera y diversidad cultural y étnica, constituye un lugar ideal para que estos
museos actúen como plataformas de aprendizaje sobre la importancia del mar en la civilización y para abordar
los retos a los que se enfrenta la región. Con este estudio subrayamos la importancia de promover la educación
a través del patrimonio cultural en los museos y su potencial para facilitar la inclusión y el diálogo sobre la
diversidad cultural.</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Aurélia de Souza: A Portuguese Artist of the Turn of the Century</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/149783" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/149783</id>
    <updated>2023-05-25T06:22:48Z</updated>
    <published>1983-01-01T00:00:00Z</published>
    <summary type="text">Title: Aurélia de Souza: A Portuguese Artist of the Turn of the Century</summary>
    <dc:date>1983-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Do que nada se vê, só se sonha: uma estória de nada sobre as interdições e potencialidades do vazio, da desaparição e do efémero como agentes criativos.</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/149108" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/149108</id>
    <updated>2023-05-05T06:18:51Z</updated>
    <published>2021-05-20T00:00:00Z</published>
    <summary type="text">Title: Do que nada se vê, só se sonha: uma estória de nada sobre as interdições e potencialidades do vazio, da desaparição e do efémero como agentes criativos.</summary>
    <dc:date>2021-05-20T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Perfect Objects for Imperfect Bodies, Perfect Bodies for Imperfect Objects. Why Does Design Need Extreme Users?</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/148563" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/148563</id>
    <updated>2023-03-30T06:19:22Z</updated>
    <published>2022-09-30T00:00:00Z</published>
    <summary type="text">Title: Perfect Objects for Imperfect Bodies, Perfect Bodies for Imperfect Objects. Why Does Design Need Extreme Users?</summary>
    <dc:date>2022-09-30T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Biotextiles de residuos de la industria alimenticia: Una experiencia de Biodiseño para tote bags sostenibles</title>
    <link rel="alternate" href="https://hdl.handle.net/10216/148562" />
    <author>
      <name />
    </author>
    <id>https://hdl.handle.net/10216/148562</id>
    <updated>2023-03-30T06:19:19Z</updated>
    <published>2022-12-30T00:00:00Z</published>
    <summary type="text">Title: Biotextiles de residuos de la industria alimenticia: Una experiencia de Biodiseño para tote bags sostenibles</summary>
    <dc:date>2022-12-30T00:00:00Z</dc:date>
  </entry>
</feed>

