https://hdl.handle.net/10216/1803 2019-12-15T16:42:34Z 2019-12-15T16:42:34Z https://hdl.handle.net/10216/103646 2019-06-04T12:51:30Z 2015-01-01T00:00:00Z

Title: Metadata Crosswalk for a Museum Collection in a Thematic Digital Library Description: The Biblioteca Digital de Arte (BDArt) Digital Library hosted by the Thematic Repository at the University of Porto (Repositório Temático da U.Porto) aggregates documents from the library and the archive collections belonging to the Fine Arts School of the University of Porto (Faculdade de Belas Artes da U.Porto). This school has a museum collection containing a significant set of world-class objects managed with distinct processes and tools from those currently used in libraries and archives elsewhere. Interoperability between the collections of the archive, the library, and the museum is necessary because many works allocated to different collections are closely related and can only be seen as a whole by cross-collection search functionalities. The goal of this work, the first of its kind to be developed at the University of Porto (U. Porto), is to integrate the museum collection with archives and library collections in the repository and to use an open-source technology (DSpace). Our experiment involved the selection of appropriate representations of the objects and the definition of a metadata crosswalk between the original metadata standards and qualified Dublin Core. As a result, we created the BDA Museum Collection as a BDArt subcommunity using an XML export procedure that we expect to be helpful in future developments of other museum collections in the Thematic Repository at U.Porto

2015-01-01T00:00:00Z https://hdl.handle.net/10216/112145 2019-06-04T12:51:31Z 2016-01-01T00:00:00Z

Title: O campo expandido do corpo

2016-01-01T00:00:00Z https://hdl.handle.net/10216/1814 2019-06-04T12:51:37Z 1999-01-01T00:00:00Z

Title: A arte da prataria no Brasil e no Rio da Prata no período colonial: estudo comparativo

1999-01-01T00:00:00Z https://hdl.handle.net/10216/56638 2019-06-04T12:51:29Z 1991-01-01T00:00:00Z

Title: Déstruction, reconstruction, préservation: le cas du Chiado, à Lisbonne

1991-01-01T00:00:00Z https://hdl.handle.net/10216/79152 2019-06-04T12:51:34Z 2015-01-01T00:00:00Z

Title: HCI4D Guideline Systematization: Creation, Documentation and Evaluation with Partners from Developing Countries

2015-01-01T00:00:00Z https://hdl.handle.net/10216/56643 2019-06-04T12:51:36Z 1992-01-01T00:00:00Z

Title: La double périphérie en tant que lieu de convergeance de differentes cultures et point de départ vers des expériences originales: l' influence mudéjare dans la Vieille Cathédrale de Coimbra

1992-01-01T00:00:00Z https://hdl.handle.net/10216/97338 2019-06-04T12:51:33Z 1993-01-01T00:00:00Z

Title: Os estudos de história da arte portuguesa na América Latina

1993-01-01T00:00:00Z https://hdl.handle.net/10216/75313 2019-06-04T12:51:34Z 1999-01-01T00:00:00Z

Title: Dez anos depois: o regresso de Clausewitz

1999-01-01T00:00:00Z https://hdl.handle.net/10216/51919 2019-06-04T12:51:36Z 2010-01-01T00:00:00Z

Title: The use of the Art Collection of the University of Porto in teaching and research Abstract: The Art Collection of the Faculty of Fine Arts of the University of Porto (FBAUP) mainly consists of works created in class by young artists during their learning and educational period. These works are collected primarily to provide a learning and teaching tool for fine arts students. In its formation and development, the collection has undergone significant changes. Some of these changes were caused by the affiliation of the collection to the first public art museum in Portugal, the Museu Portuense de Pinturas e estampas, created in 1833. When the Academia Portuense de Belas Artes was founded in 1836, both the museum and the academy were placed under the responsibility of the same director. Additionally, the collection suffered from the effect of national education reforms to teaching and learning methods, which influenced students' art works and the development of the collection. However, the original purpose of constituting the art collection remains the support of fine art education and training. Throughout the last decade, our strategy has focused on the co-ordination of museum activities with the teaching and research goals of the Faculty of Fine Arts in particular and of the university in general. It has also focused on its future role as a place dedicated to cultural and artistic knowledge more closely connected with society at large. This paper concentrates on the teaching and research projects that have been developed since the official constitution of the Fine Arts Museum of the University of Porto in 1996.

2010-01-01T00:00:00Z https://hdl.handle.net/10216/4308 2017-01-30T17:49:12Z 1993-01-01T00:00:00Z

Title: Os estudos de história da arte portuguesa na América Latina

1993-01-01T00:00:00Z